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Governances of Champagne and Brie, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Governances of Champagne and Brie, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection
Governances of Champagne and Brie, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1777. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0036
Media ID 33185783
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases the exquisite engraving "Governances of Champagne and Brie" by G. Zuliani, extracted from Tome I of the renowned "Newest Atlas" published in Venice in 1777 by Antonio Zatta. Housed within a private collection in Florence, this artwork beautifully exemplifies the artistic styles and periods of Renaissance-Baroque that flourished during Europe's first and second millennium. The image itself is a testament to the mastery of both cartography and graphics, as it presents an intricate depiction of territory through allegory and abstract symbols. With its delicate lines and meticulous details, this engraving serves as both an instrument for geographical understanding and a historical document capturing the essence of eighteenth-century Europe. Dating back to 1777, this artwork transports us to a time when maps were not only means of communication but also works of art. It evokes a sense of wonderment at how our ancestors perceived their world, highlighting their deep connection with geography. Through its composition, we are transported into a scene where rolling hills meet majestic rivers while towns dot the landscape like jewels on a crown. The artist's skillful rendering invites contemplation on concepts such as power dynamics between regions or even societal structures during that era. Intriguingly juxtaposing past with present, this photograph was taken in 2009 – more than two centuries after Zuliani created his masterpiece. Preserved by Alinari, it allows us to appreciate not only the timeless beauty captured within these engravings but also serves as a reminder that art transcends time itself. As we gaze upon this remarkable piece from Alinari's collection, let us marvel at how something so seemingly simple as a map can encapsulate such rich history while simultaneously igniting our imagination about worlds long gone.
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