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The Grand Duchy of Tuscany divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The Grand Duchy of Tuscany divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
The Grand Duchy of Tuscany divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1783. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0040
Media ID 33186061
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta. The artwork, titled "The Grand Duchy of Tuscany divided into its provinces" is a true testament to the Renaissance-Baroque styles and periods that flourished during the eighteenth century in Europe. With intricate details and masterful craftsmanship, Zuliani's engraving depicts the geographical layout of Tuscany's provinces with utmost precision. Each province is meticulously delineated, allowing viewers to explore the vast territory through this visual representation. The map serves as both an instrument and document, providing invaluable information about the region's topography and geography. Beyond its practical purpose, this artwork also carries symbolic significance. It embodies an abstract concept of unity within diversity, highlighting how different regions come together under one grand duchy. This allegorical representation invites contemplation on themes such as identity, community, and shared heritage. As we delve into this mesmerizing piece from our Private Collection in Florence dating back to the eighteenth century, it becomes evident that cartography transcends mere functionality; it becomes a means of communication itself. Through maps like these, people have communicated their understanding of land and space across centuries. This particular engraving exemplifies not only technical skill but also artistic flair characteristic of Renaissance-Baroque aesthetics. Its rich details evoke a sense of grandeur while capturing historical nuances specific to that era. Intriguingly juxtaposing past with present, this photograph was captured by Alinari in 2009—two centuries after Zuliani created his masterpiece—a testament to enduring fascination with history and artistry alike.
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