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Grieving Christ's death; man with nails in his hand; Donatello's pulpit, Basilica of San Lorenzo, Florence

Grieving Christ's death; man with nails in his hand; Donatello's pulpit, Basilica of San Lorenzo, Florence


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Grieving Christ's death; man with nails in his hand; Donatello's pulpit, Basilica of San Lorenzo, Florence

Grieving Christ's death; man with nails in his hand; Donatello's pulpit, Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Low Relief, Basrelief, Pulpit Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1938 ca.. Date of Artwork:1460-1466. Artist:Donato di Niccol di Betto Bardi known as Donatello

Alinari, Fratelli
ACA-F-062016-0000

Media ID 33121417

© Alinari Archives, Florence

Crying Deposition Functions And Treatments For The Body Instrument Or Object Life Of Christ Maleearly Renaissance Pain Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This photograph captures a profound moment in art history, showcasing Donatello's masterpiece - the pulpit of the Basilica of San Lorenzo in Florence. The focal point of this print is an exquisitely carved low relief depicting the grieving Christ's death, with a man bearing nails in his hand. Donatello, also known as Donato di Niccolò di Betto Bardi, was a renowned Italian sculptor during the Early Renaissance period. His exceptional craftsmanship and attention to detail are evident in this emotionally charged artwork created between 1460 and 1466. The image evokes a sense of sorrow and contemplation as we witness Christ's suffering through his crucifixion. The man with nails in his hand symbolizes the pain endured by Jesus during his deposition from the cross. This portrayal not only reflects biblical narratives but also delves into deeper psychological and physiological aspects of human existence. The composition showcases Donatello's mastery over form and expression, capturing every nuance of grief on both figures' faces. It serves as a testament to the artist's ability to convey intense emotions through stone carving. Dating back to approximately 1938, this photograph by Alinari Fratelli immortalizes Donatello's pulpit for generations to come. Its timeless beauty transcends time periods and styles, representing both Renaissance-Baroque influences prevalent at that time while still resonating with contemporary audiences today. As we gaze upon this remarkable piece captured by Alinari Fratelli, we are reminded of art’s power to evoke deep emotions within us – whether it be sadness or admiration for such masterful craftsmanship.

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