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Innocence. Stucco sculpture by Giacomo Serpotta, originally at the Regional Archaeological Museum and now found at the Regional Gallery of Sicily in Palermo
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Innocence. Stucco sculpture by Giacomo Serpotta, originally at the Regional Archaeological Museum and now found at the Regional Gallery of Sicily in Palermo
Innocence. Stucco sculpture by Giacomo Serpotta, originally at the Regional Archaeological Museum and now found at the Regional Gallery of Sicily in Palermo. Palermo Regional Archaeological Museum Statue Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1672-1732 ca.. Artist:Serpotta Giacomo (1656-1732)
Brogi
BGA-F-013978-0000
Media ID 33169815
© Alinari Archives, Florence
Animal Dove Abstract Concept And Symbol Concept Or Subject Expressed Headdress Civilian Innocence Type Of Representation
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EDITORS COMMENTS
Innocence: A Timeless Stucco Sculpture by Giacomo Serpotta". This photograph captures the essence of innocence through a remarkable stucco sculpture created by the renowned artist, Giacomo Serpotta. Originally housed at the Regional Archaeological Museum in Palermo, this masterpiece now finds its home at the Regional Gallery of Sicily. Dating back to approximately 1672-1732, during the Baroque and Renaissance-Baroque periods in Europe, this exquisite artwork showcases Serpotta's exceptional talent and attention to detail. The delicate features of a dove, symbolizing peace and purity, are beautifully carved into the stucco medium. The sculpture is an allegory for innocence itself – a timeless concept that transcends generations. It transports viewers to ancient times when innocence was revered and cherished above all else. The figure depicted wears period-specific clothing with intricate details on their headdress, reflecting both civilian and military influences. Serpotta's mastery lies not only in his ability to capture physical attributes but also in his skillful representation of abstract concepts through tangible art forms. This piece evokes emotions of nostalgia as it reminds us of a simpler era where innocence prevailed. The photograph itself was taken around 1890 by Brogi from Alinari, showcasing how even after centuries have passed since its creation; this sculpture continues to captivate audiences with its enduring beauty. Its presence within the gallery serves as a testament to its significance within art history. As we gaze upon this stunning image captured over a century ago, we are reminded that innocence is an eternal virtue worth preserving amidst our ever-changing world.
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