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Land area of the State of the Veneto, divided into its Provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Land area of the State of the Veneto, divided into its Provinces, engraving by G. Zuliani taken from Tome II of the 'Newest Atlas' published in Venice in 1782 by Antonio Zatta, Private Collection


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Land area of the State of the Veneto, divided into its Provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Land area of the State of the Veneto, divided into its Provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0002

Media ID 33185915

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork depicts the land area of the State of Veneto, divided into its provinces, and is part of a private collection in Florence. With its intricate details and precise craftsmanship, this engraving exemplifies the Renaissance-Baroque styles and periods that flourished during Europe's first and second millenniums. It serves as both a historical document and a work of art, showcasing the mastery of cartography during the eighteenth century. The image transports us back to a time when maps were not only practical tools but also works of beauty. The artist's skillful rendering captures every contour and boundary with precision, allowing viewers to explore the geography of Veneto at their leisure. Beyond its aesthetic appeal, this engraving symbolizes more than just territory; it represents communication itself. Maps have long been used as instruments for conveying information about our world—guiding explorers on their journeys or helping governments make informed decisions about governance. As we gaze upon this piece today, we are reminded not only of its historical significance but also how far we have come in terms of technology and graphic design. This artwork stands as a testament to human ingenuity—a bridge between past eras and our modern understanding. Thanks to Alinari's photographic expertise, we can appreciate this remarkable piece even if we cannot physically hold it in our hands. Through their lens, they capture not just an image but also an abstract concept—an allegory for exploration and discovery that transcends time itself.

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