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Land of Otranto, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
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Land of Otranto, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
Land of Otranto, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1783. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0049
Media ID 33186099
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Land of Otranto" by the talented artist G. Zuliani. Originally published in Venice in 1783 by Antonio Zatta, this remarkable piece is now part of a private collection in Florence. The engraving, featured in Tome II of the renowned "Newest Atlas" beautifully captures the essence of the Renaissance-Baroque styles and periods prevalent during its creation. Its intricate details and masterful execution transport viewers to eighteenth-century Europe, offering a glimpse into the past. As a work of cartography and graphics, this artwork serves as both an instrument and document that embodies the concept of territory. It symbolizes not only geographical or topographical maps but also represents abstract concepts and symbols associated with communication. The Land of Otranto engraving holds historical significance as it dates back to 1783 when it was first created by Zuliani G. The photograph itself was taken in 2009, allowing us to appreciate this masterpiece more than two centuries after its inception. Through Alinari's lens, we are granted access to this extraordinary piece from their extensive collection without any commercial use intentions. This image invites contemplation on themes such as writing, communication, drawing and graphics while evoking scenes from Europe during the first and second millennium A. D. In conclusion, Alinari's photograph print immortalizes Zuliani's magnificent engraving "Land of Otranto". With its rich history spanning multiple eras and artistic styles, this artwork continues to captivate audiences with its beauty and profound symbolism.
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