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Lower Slesia, divided into its Principates, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Lower Slesia, divided into its Principates, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection
Lower Slesia, divided into its Principates, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1779. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0008
Media ID 33186151
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases a remarkable engraving titled "Lower Slesia, divided into its Principates" by the talented artist G. Zuliani. The artwork was originally published in Venice in 1779 as part of Tome III of the renowned "Newest Atlas" by Antonio Zatta. This particular piece is now held in a private collection in Florence. The engraving beautifully captures the essence of Lower Slesia, a region known for its rich history and diverse landscapes. With intricate details and precision, Zuliani skillfully depicts the division of this territory into various principates, providing viewers with an insightful glimpse into the political landscape of eighteenth-century Europe. Drawing inspiration from Renaissance-Baroque styles and periods, this artwork exudes elegance and sophistication. It serves as both a geographical map and an allegory, symbolizing power dynamics within Lower Slesia during that era. Beyond its aesthetic appeal, this engraving holds immense historical significance as it represents a crucial means of communication during the time it was created. Maps like these were essential tools for exploration, trade routes, and territorial claims. Through this photograph taken in 2009 by Alinari - a renowned name associated with photography - we are able to appreciate not only the artistic mastery behind Zuliani's work but also gain insights into European history spanning over two millennia. This print invites us to delve into an abstract concept where art meets cartography; it is both an instrument documenting geographical boundaries and a visual representation of cultural heritage. Its presence reminds us how art can transcend time while preserving our collective past for generations to come.
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