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The Madonna and Child known as Madonna della Cintola, by Giovanni Pisano, in the Cathedral, Prato

The Madonna and Child known as Madonna della Cintola, by Giovanni Pisano, in the Cathedral, Prato


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The Madonna and Child known as Madonna della Cintola, by Giovanni Pisano, in the Cathedral, Prato

The Madonna and Child known as Madonna della Cintola, by Giovanni Pisano, in the Cathedral, Prato Prato Statue Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1317 ca.. Artist:Giovanni Pisano (1248 c.-1315)

Alinari, Fratelli
ACA-F-010042-0000

Media ID 33130203

© Alinari Archives, Florence

Emotional Bond Finger Hair Hand Human Psychology Mouth Lips Nose Pyschological Behavior Textile Applied Arts And Crafts Parts Of The Body


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> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Artists > P > Giovanni Pisano

> Europe > Italy > Tuscany > Prato

> Popular Themes > Human Body


EDITORS COMMENTS
This photograph captures a timeless masterpiece of art, "The Madonna and Child known as Madonna della Cintola" created by the skilled hands of Giovanni Pisano. The artwork itself dates back to around 1317, during the Middle Ages in Europe. Displayed proudly within the Cathedral of Prato, this statue exudes an ageless beauty that transcends time. Its intricate details showcase Pisano's mastery in capturing human emotions and psychological behavior through his craft. The textile used for the clothing adds depth and realism to the sculpture, while also symbolizing an emotional bond between mother and child. Every part of this sculpture is meticulously crafted, from the delicate fingers gently cradling her child to the flowing hair cascading down her shoulders. Even minute details like the curve of her nose or expression on her face are expertly carved with precision. Adorned with a regal crown befitting her status as a divine figure, this Madonna stands as an individual representation of faith during a significant period in history. It serves as a reminder not only of its artistic value but also its physiological and psychological impact on those who gaze upon it. Through Alinari's lens in approximately 1900, we are granted access to appreciate this remarkable work even if we cannot physically stand before it today. This print allows us to delve into both historical context and aesthetic appreciation simultaneously—a testament to how art can transcend time and continue inspiring generations throughout centuries past and present.

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