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Marble pulpit by Antonello Gagini inside the Church of Santa Maria degli Angeli (or della Gancia), in Palermo
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Marble pulpit by Antonello Gagini inside the Church of Santa Maria degli Angeli (or della Gancia), in Palermo
Marble pulpit by Antonello Gagini inside the Church of Santa Maria degli Angeli (or della Gancia), in Palermo. Palermo Church of Gancia o Santa Maria degli Angeli. Pulpit Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1500-1536 ca.. Artist:Gagini, Antonello
Brogi
BGA-F-013905-0000
Media ID 33166849
© Alinari Archives, Florence
Acanthus Brand Brier Crest Herbaceous Literature And Fiction Putto Christian Religion Emblem Vegetal Element Or Composition
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EDITORS COMMENTS
This print showcases the exquisite Marble pulpit by Antonello Gagini, nestled inside the resplendent Church of Santa Maria degli Angeli (or della Gancia) in Palermo. The pulpit, crafted during the Late Renaissance period between 1500-1536, is a true testament to Gagini's artistic prowess. The image transports us back to 1890, capturing the timeless beauty of this architectural masterpiece. The intricate details of the pulpit are brought to life through Brogi's lens, highlighting its Renaissance-Baroque style and period influences. Every curve and contour exudes elegance and sophistication. In this photograph, a putto figure stands gracefully beside the pulpit, adding an element of enchantment to the scene. Dressed in ancient attire that reflects both fashion and clothing from that era, it evokes a sense of nostalgia for times long past. This male figure symbolizes saintliness within Christian religion. Surrounding the central focus are acanthus leaves intertwined with briers - vegetal elements that enhance the overall composition. These organic motifs add depth and texture to Gagini's creation while also serving as emblems or crests reminiscent of European heraldic ornaments. Through Alinari's lens, we can appreciate not only Gagini's craftsmanship but also his ability to seamlessly blend different styles across centuries. This fusion creates a unique visual experience where late Renaissance meets Renaissance-Baroque influences harmoniously. As we gaze upon this remarkable artwork frozen in time through photography, we are reminded of Europe's rich cultural heritage spanning over two millennia. It serves as a reminder that art has no boundaries or limitations when it comes to transcending time and leaving an indelible mark on our collective history.
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