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Mexico or New Spain containing New Mexico, California with a part of the adjacent countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Mexico or New Spain containing New Mexico, California with a part of the adjacent countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Mexico or New Spain containing New Mexico, California with a part of the adjacent countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0022
Media ID 33187641
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork, titled "Mexico or New Spain containing New Mexico, California with a part of the adjacent countries" is a true testament to the Renaissance-Baroque styles and periods that flourished during Europe's first and second millennium. The intricate details of this engraving transport us back to the enchanting landscapes and territories of eighteenth-century Mexico or New Spain. It serves as both a cartographic masterpiece and an allegory for exploration and discovery during that era. Zuliani's skillful craftsmanship is evident in every line and curve, meticulously capturing the geographical features of this vast region. From the rugged mountains to the sprawling coastlines, each element is rendered with precision and artistry. Beyond its technical excellence, this artwork symbolizes more than just topographical representation; it embodies an abstract concept of communication through maps. In an age where technology was limited, maps served as vital instruments for understanding our world—a visual language connecting people across borders. As we gaze upon this remarkable piece from Alinari's private collection in Florence, we are reminded of how far we have come in terms of cartography and graphics since its creation over two centuries ago. Yet it also highlights our enduring fascination with exploring new frontiers—both physical and metaphorical—and our innate desire to document these journeys through artistic expression. This photograph taken in 2009 not only captures the essence of Zuliani's work but also preserves its historical significance for generations to come—an everlasting tribute to a time when maps were not merely tools but gateways into uncharted territories filled with wonderment and possibility.
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