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Nativity, sculpture work from Giambologna's school, collocated in the left portal panel of the Cathedral of Pisa
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Nativity, sculpture work from Giambologna's school, collocated in the left portal panel of the Cathedral of Pisa
Nativity, sculpture work from Giambologna's school, collocated in the left portal panel of the Cathedral of Pisa Pisa Low Relief, Basrelief, Tile Mannerism, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1595. Artist:Giambologna, school of
Brogi
BGA-F-020488-0000
Media ID 33172750
© Alinari Archives, Florence
Acanthus Clergy Cloud Herbaceous Jesus Christ Christ Child Life And Representations Of The Virgin Life Of Christ Meteorological Nativity Pastor Shepherd Wingmannerism Christian Religion Natural Elements And Phenomena Subject
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EDITORS COMMENTS
This photograph captures a remarkable piece of art, the "Nativity" sculpture from Giambologna's school. The artwork is prominently displayed in the left portal panel of the Cathedral of Pisa, showcasing its grandeur and significance. Dating back to 1595, this masterpiece represents the Mannerism and Renaissance-Baroque styles that flourished during Europe's First and Second Millennium A. D. It depicts a scene from the life of Christ, specifically focusing on the birth of Jesus. The artist skillfully portrays various elements such as angels, figures, and natural phenomena like clouds and meteorological events. The print itself was taken between 1920-1930 by Brogi from Alinari. Despite being captured decades ago, it still manages to convey every intricate detail with clarity. As we delve into this image, our eyes are drawn to the central figure - Mary holding baby Jesus in her arms while surrounded by shepherds dressed in ancient costumes representative of that period. The clergy stands nearby as witnesses to this divine event. Notably present are acanthus plants adorning the surroundings; their herbaceous leaves symbolize fertility and eternal life often associated with religious iconography. Giambologna's exceptional craftsmanship shines through every aspect of this sculpture – from delicate facial expressions to meticulous drapery folds – all meticulously carved out in marble or stone. This photograph serves as a testament not only to Giambologna's artistic prowess but also highlights how art can transcend time and continue inspiring awe even centuries later.
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