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Norway divided into its provinces, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
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Norway divided into its provinces, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
Norway divided into its provinces, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0025
Media ID 33186201
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta. The artwork, now part of a private collection in Florence, depicts Norway divided into its provinces with remarkable precision and artistry. Dating back to the eighteenth century, this Renaissance-Baroque style engraving beautifully captures the essence of Europe during that era. It serves as a testament to the intricate craftsmanship and attention to detail prevalent during this period. The image is not merely a geographical or topographical map; it transcends its purpose by embodying allegory and abstract concepts. It symbolizes communication, drawing us into a world where maps were vital instruments for understanding and navigating vast territories. As we delve deeper into this mesmerizing artwork, we are transported back in time to an age when cartography was both science and art. The meticulous lines and intricate details evoke admiration for the skillful hands that created such a masterpiece. Through this engraving, we gain insight into how people perceived their surroundings centuries ago – their connection with land and boundaries shaped by political divisions. It reminds us of our innate desire to explore new horizons while seeking order amidst complexity. This photograph was captured in 2009 but immortalizes an artwork dating back to 1781 – bridging two distinct periods separated by two centuries yet united through shared human experiences. Alinari's exceptional photography allows us to appreciate every stroke made by Zuliani over two hundred years ago. This image stands as a tribute not only to artistic brilliance but also as a reminder of our enduring fascination with maps as powerful tools for understanding our world throughout history.
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