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Detail of the panel painting of the "Madonna in glory and Saints" by Perugino, in the Pinacoteca Nazionale of Bologna. The picture centers on Saint Apollonia

Detail of the panel painting of the 'Madonna in glory and Saints' by Perugino, in the Pinacoteca Nazionale of Bologna. The picture centers on Saint Apollonia


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Detail of the panel painting of the "Madonna in glory and Saints" by Perugino, in the Pinacoteca Nazionale of Bologna. The picture centers on Saint Apollonia

Detail of the panel painting of the "Madonna in glory and Saints" by Perugino, in the Pinacoteca Nazionale of Bologna. The picture centers on Saint Apollonia Bologna Pinacoteca Nazionale Painting Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1880-1900 ca.. Date of Artwork:1495-1496. Artist:Perugino, Pietro Vannnucci, Known as (c.1445-1523)

Poppi, Pietro
PDC-F-001753-0000

Media ID 33271295

© Alinari Archives, Florence

Tongs Christian Religion


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EDITORS COMMENTS
This print showcases a mesmerizing detail of the panel painting titled "Madonna in glory and Saints" by the renowned artist Perugino, also known as Pietro Vannucci. The artwork is housed in the esteemed Pinacoteca Nazionale of Bologna, Italy. The focal point of this image is Saint Apollonia, a prominent figure depicted within the painting. With her serene expression and graceful demeanor, she exudes an aura of piety and devotion. As one gazes at her visage, it becomes evident that she embodies the essence of Christian faith. Captured between 1880-1900 approximately by photographer Pietro Poppi from Alinari, this photograph flawlessly captures every intricate detail present in Perugino's masterpiece. From Saint Apollonia's delicate features to the subtle brushstrokes highlighting her ethereal beauty, each element comes alive through this lens. Dating back to 1495-1496 when it was created by Perugino himself, "Madonna in glory and Saints" stands as a testament to his artistic genius. Its placement within the National Picture Gallery further solidifies its significance within Italian art history. In addition to Saint Apollonia's presence, other elements can be observed in this photograph: tongs and pincers resting nearby—a symbolic representation often associated with martyrdom or suffering endured for religious beliefs. This print serves as both a visual delight for art enthusiasts and a window into an era where spirituality played an integral role in shaping society's values. It invites viewers to immerse themselves in Perugino's world while contemplating themes such as faith, devotion, and sacrifice—themes that continue to resonate across time.

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