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Philosophy, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City

Philosophy, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City


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Philosophy, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City

Philosophy, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St. Peter's Basilica, Museum of the Treasury of St. Peter Funerary Monument Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1493. Artist:Pollaiolo, Antonio Benci, known as

Alinari, Fratelli
ACA-F-026440-0000

Media ID 33115279

© Alinari Archives, Florence

Clergy Female Figure Of Famous Personsearly Renaissance Pope Tiara Miter Virtue Abstract Concept And Symbol Christian Religion Concept Or Subject Expressed Headdress Civilian Type Of Representation


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EDITORS COMMENTS
This print showcases a mesmerizing detail of the Tomb of Sixtus IV, created by the renowned artist Antonio Pollaiuolo during the early Renaissance period. Housed in the Museum of the Treasury of St. Peter within the grandeur of St. Peter's Basilica in Vatican City, this bronze masterpiece is a testament to both artistic skill and religious devotion. The focal point of this image is a female figure representing Philosophy, an allegorical embodiment of abstract concepts and virtues. Adorned in exquisite clothing and headdress, she exudes elegance and wisdom as she gazes into eternity. This portrayal captures not only her intellectual prowess but also her spiritual significance. Surrounding Philosophy are various symbols and representations that further enrich the artwork's meaning. The presence of male figures suggests their influence on philosophical thought throughout history, while religious elements such as tiaras and miters emphasize its connection to Christian beliefs. As we delve into this photograph from 1920-1930 ca. , we are transported back to 1493 when Pollaiuolo first crafted this extraordinary piece. His mastery shines through every intricate detail, showcasing his expertise in blending Renaissance-Baroque styles seamlessly. This artwork stands as a remarkable example of European art from the First and Second Millennium A. D. , bridging different periods with its timeless beauty. Its location within St. Peter's Basilica adds another layer to its significance – it becomes more than just an artistic creation; it becomes part of a sacred space where faith intertwines with human expression. Through Alinari Fratelli's lens, we can appreciate not only Pollaiuolo's genius but also how art has always been intertwined with religion, culture, and history – forever capturing moments that transcend time itself.

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