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Detail of the portal of the Church of Villa or church of Corpo di Cristo in Castiglione Olona
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Detail of the portal of the Church of Villa or church of Corpo di Cristo in Castiglione Olona
Detail of the portal of the Church of Villa or church of Corpo di Cristo in Castiglione Olona. Castiglione Olona Via Mazzini Door Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1430-1440 ca.. Artist:Brunelleschi, Filippo
Brogi
BGA-F-020721-0000
Media ID 33173844
© Alinari Archives, Florence
Acanthus Benediction Bible Old Testament Festoonrenaissance God The Father Herbaceous Literature And Fiction People Putto Abstract Concept And Symbol Concept Or Subject Expressed Vegetal Element Or Composition
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EDITORS COMMENTS
This print captures the intricate details of the portal of the Church of Villa, also known as the church of Corpo di Cristo in Castiglione Olona. Located in Via Mazzini, this architectural masterpiece showcases a harmonious blend of Renaissance and Renaissance-Baroque styles. Dating back to the first half of the 15th century, this artwork is attributed to none other than Filippo Brunelleschi, one of Italy's most renowned architects. The photograph itself was taken between 1920-1930 by Brogi from Alinari. The image reveals a plethora of symbolic elements that evoke deep contemplation and spiritual reflection. At its center stands an allegorical representation of God the Father, emanating divine benevolence through his benediction gesture. Surrounding him are various figures including putti, angels, and people engaged in acts that allude to literature and fiction. The portal is adorned with exquisite acanthus leaves and festoons meticulously carved into stone. These herbaceous plants symbolize growth, vitality, and abundance - themes often associated with religious devotion during the Renaissance era. As we delve deeper into this visual narrative expressed through sculpture and architecture, it becomes apparent that biblical references from both Old Testament stories intertwine seamlessly within these artistic motifs. This fusion further exemplifies how Renaissance art sought inspiration from ancient texts while embracing contemporary aesthetics. This remarkable print not only transports us back in time but also offers a glimpse into Europe's rich cultural heritage spanning over two millennia. It serves as a testament to human creativity across different periods while reminding us of our eternal quest for spirituality and meaning amidst ever-changing times.
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