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Province of Surrey, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection

Province of Surrey, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1779 by Antonio Zatta, Private Collection


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Province of Surrey, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection

Province of Surrey, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1779. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-045A

Media ID 33185803

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving of the Province of Surrey, created by the talented artist G. Zuliani in 1779. The engraving is a part of Tome I from the renowned "Newest Atlas" published in Venice during that era by Antonio Zatta. This remarkable piece belongs to a private collection in Florence and represents the epitome of eighteenth-century Renaissance-Baroque styles. The artwork itself is a testament to Europe's rich history, capturing scenes from both the first and second millennium A. D. Its intricate details and masterful execution transport viewers back in time, allowing them to immerse themselves in this period. As we delve into this image, it becomes clear that it symbolizes more than just cartography or geography; it embodies an abstract concept and serves as an allegory for communication itself. The meticulously drawn lines and carefully crafted symbols on this topographical map highlight how humans have long relied on such instruments and documents to navigate their surroundings. The juxtaposition of historical elements with contemporary photography further enhances our appreciation for this extraordinary piece. Taken in 2009 by Alinari, one can't help but marvel at how art transcends time, connecting us with centuries past while simultaneously embracing modernity. In conclusion, this print offers a glimpse into the artistic brilliance of Zuliani's work while celebrating Europe's cultural heritage through its expressive Renaissance-Baroque style. It reminds us not only of our ancestors' reliance on maps but also highlights the enduring power of visual communication throughout history.

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