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Resurrection of Niccol di Ser Sozzo Tegliacci: historiated Antiphonary initial preserved in the Collegiate Church of San Gimignano

Resurrection of Niccol di Ser Sozzo Tegliacci: historiated Antiphonary initial preserved in the Collegiate Church of San Gimignano


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Alinari

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Resurrection of Niccol di Ser Sozzo Tegliacci: historiated Antiphonary initial preserved in the Collegiate Church of San Gimignano

Resurrection of Niccol di Ser Sozzo Tegliacci: historiated Antiphonary initial preserved in the Collegiate Church of San Gimignano San Gimignano Collegiate Church Illumination Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1350-1363 ca.. Artist:Tegliacci, Niccol di ser Sozzo

Alinari, Fratelli
ACA-F-009579-0000

Media ID 33125115

© Alinari Archives, Florence

Brier Drapery Functions And Treatments For The Body Inscription Instrument Or Document Life Of Christ Music Resurrection Score Sepulchre Sleep Soldier Structure Or Place Vegetable Shaped Object Subject Vegetal Element Or Composition


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> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Europe > Italy > Tuscany > San Gimignano


EDITORS COMMENTS
This print captures the Resurrection of Niccol di Ser Sozzo Tegliacci, a historiated Antiphonary initial preserved in the Collegiate Church of San Gimignano. The artwork itself dates back to the Gothic period of the Middle Ages, specifically around 1350-1363. The artist behind this remarkable piece is none other than Niccol di ser Sozzo Tegliacci, whose talent and skill are evident in every intricate detail. The scene depicted showcases a powerful moment from the life of Christ - his resurrection. It portrays a soldier standing guard near an ancient sepulchre while witnessing this miraculous event unfold before him. The photograph was taken around 1890 by Alinari, Fratelli, capturing not only the beauty of the artwork but also its historical significance. The composition highlights various elements such as inscriptions, writings, musical scores, and instruments that were integral to communication and worship during that time. Additionally, one cannot ignore the presence of drapery and clothing that reflect fashion trends prevalent in medieval Europe. These details add depth to our understanding of both physiological and psychological aspects associated with individuals living during this period. Furthermore, vegetal elements like briers and vegetation serve as symbolic representations within the composition. They contribute to conveying themes related to life's cycles and renewal found throughout biblical narratives. Overall, this print offers us a glimpse into an extraordinary artistic creation from centuries ago. It invites us to appreciate not only its aesthetic value but also its historical context within European history during the first and second millennium A. D. , showcasing how art can transcend time and continue to inspire generations beyond its creation date.

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