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Sea area of the State of the Veneto: the northern part of Istria, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection

Sea area of the State of the Veneto: the northern part of Istria, engraving by G. Zuliani taken from Tome II of the 'Newest Atlas' published in Venice in 1784 by Antonio Zatta, Private Collection


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Sea area of the State of the Veneto: the northern part of Istria, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection

Sea area of the State of the Veneto: the northern part of Istria, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G.Valle Giovanni

Alinari
PDP-A-ZATTA2-0015

Media ID 33187683

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases a remarkable engraving titled "Sea area of the State of the Veneto: the northern part of Istria" by G. Zuliani, taken from Tome II of the renowned "Newest Atlas". Published in Venice in 1784 by Antonio Zatta, this exquisite piece now resides in a private collection. The artwork itself is an epitome of eighteenth-century Renaissance-Baroque styles and periods, offering us a glimpse into Europe's past during the first and second millennium A. D. The intricate details and precision displayed in this engraving highlight its significance as both a cartographic masterpiece and a historical document. Zuliani's talent shines through as he skillfully captures the sea area surrounding the Veneto region, specifically focusing on Istria's northern part. This depiction serves not only as an instrument for navigation but also as an allegory for exploration and discovery during that era. The abstract concept conveyed through this artwork transcends time, emphasizing how maps have always been vital means of communication throughout history. It symbolizes humanity's innate desire to understand our world better and navigate its vast territories. With its rich geographical information presented in such meticulous detail, this engraving transports viewers back to Venice in 1784. Its presence evokes thoughts about trade routes, cultural exchanges between nations, and significant events that shaped European history during that period. As we admire this extraordinary piece captured beautifully by Alinari's lens in 2009, let us appreciate how it encapsulates centuries' worth of knowledge within its lines. It stands as a testament to human curiosity and ingenuity while serving as a reminder of our ever-evolving understanding of geography and our place within it.

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