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Sea area of the State of the Veneto: the southern part of Istria, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
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Sea area of the State of the Veneto: the southern part of Istria, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Sea area of the State of the Veneto: the southern part of Istria, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G.Valle Giovanni
Alinari
PDP-A-ZATTA2-0016
Media ID 33187689
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases a remarkable engraving titled "Sea area of the State of the Veneto: the southern part of Istria" by G. Zuliani, taken from Tome II of the renowned "Newest Atlas" published in Venice in 1784 by Antonio Zatta. This exquisite piece is now housed within a private collection in Florence. The artwork itself represents an intriguing blend of Renaissance-Baroque styles and periods, offering us a glimpse into Europe during the eighteenth century. It serves as both a testament to the artistic prowess of its creator, Zuliani G. Valle Giovanni, and as an invaluable historical document that sheds light on geographical and topographical aspects. With its intricate details and meticulous craftsmanship, this engraving transports viewers back in time to explore the sea area surrounding Veneto's state. The artist skillfully captures not only physical landscapes but also abstract concepts and symbols associated with territory and allegory. As we delve deeper into this mesmerizing artwork, it becomes evident that it holds immense significance beyond its aesthetic appeal. It serves as an instrument for communication through cartography—a means to convey vital information about geography and navigation during that era. In 2009, Alinari had the privilege to photograph this masterpiece—an opportunity to preserve its beauty for generations to come. The juxtaposition between modern technology capturing an artifact from centuries ago creates a fascinating dialogue between past and present. Overall, this print encapsulates history, artistry, communication methods employed throughout different eras while highlighting Europe's rich cultural heritage during the first and second millennium A. D. , specifically within Renaissance-Baroque styles prevalent at that time.
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