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Sepulchral monument to abbot Simone Graziani in Sansepolcro Cathedral
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Sepulchral monument to abbot Simone Graziani in Sansepolcro Cathedral
Sepulchral monument to abbot Simone Graziani in Sansepolcro Cathedral Sansepolcro Cathedral Funerary Monument Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:XV sec
Alinari, Fratelli
ACA-F-010371-0000
Media ID 33125611
© Alinari Archives, Florence
Animal Bible Old Testament Death Eagle Inscription Literature And Fiction Putto Abstract Concept And Symbol Concept Or Subject Expressed Type Of Representation
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EDITORS COMMENTS
This photograph captures the sepulchral monument to Abbot Simone Graziani in Sansepolcro Cathedral, a stunning example of early Renaissance art. The monument, dating back to the 15th century, showcases a harmonious blend of Renaissance, Renaissance-Baroque styles and periods. The intricate details of this funerary artwork are beautifully preserved in this photograph taken around 1900 by Alinari, Fratelli. Every element within the composition tells a story - from the inscriptions and writings that adorn it to the symbolic instruments and communication tools scattered throughout. An eagle perched atop the monument symbolizes strength and power while an array of animals adds life to its surroundings. Figures such as angels and putti evoke a sense of spirituality and transcendence. The presence of vegetation signifies growth and renewal, reflecting themes commonly found in Renaissance art. As one gazes upon this print, they are transported back in time to an era when Europe was experiencing profound cultural transformation. It is through artworks like these that we can appreciate how artists during this period expressed abstract concepts such as death or allegory through tangible representations. The influence of biblical narratives from the Old Testament is evident here as well – another characteristic feature often seen in Renaissance Baroque styles. This fusion between religious symbolism and artistic expression epitomizes the spirit of European art during both first and second millenniums A. D. In conclusion, Alinari's photograph allows us to marvel at this remarkable piece of history – a testament not only to Abbot Simone Graziani but also to the enduring legacy of early Renaissance art in Europe.
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