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Sketch of a dying male figure, by Veronese, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence

Sketch of a dying male figure, by Veronese, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence


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Sketch of a dying male figure, by Veronese, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence

Sketch of a dying male figure, by Veronese, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery, Gabinetto dei Disegni e delle Stampe Drawing Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1910-1914 ca.. Date of Artwork:XVI sec.. Artist:Veronese Paolo Caliari known as (1528-1588)

Mannelli, Anchise & C.
MAA-F-007414-0000

Media ID 33184878

© Alinari Archives, Florence

Catholicism Death Christian Religion


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > V > Paolo Veronese

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art

> Popular Themes > Human Body


EDITORS COMMENTS
This photograph captures a sketch of a dying male figure by the renowned artist Veronese, housed in the Gabinetto dei Disegni e delle Stampe at the Uffizi Gallery in Florence. The artwork itself dates back to the late Renaissance period, specifically the 16th century. Veronese, also known as Paolo Caliari (1528-1588), was a master of his craft and this sketch exemplifies his exceptional talent. The subject matter focuses on death and aging, depicting a nude male figure in his final moments. It delves into both physiological and psychological aspects of human existence during this pivotal time in European history. The scene is deeply rooted in Catholicism, reflecting themes of Christian religion and benediction prevalent during that era. Veronese's attention to detail is evident as he skillfully portrays every contour of the human body with precision and sensitivity. The photograph itself was taken between 1910-1914 by Mannelli, Anchise & C. , capturing not only Veronese's masterpiece but also preserving it for future generations to appreciate. This timeless piece transcends its original context, resonating with viewers from different periods due to its universal themes. With influences from both Renaissance and Baroque styles, this artwork represents an important transition within European art history. Its presence within the Uffizi Gallery further solidifies its significance among other esteemed works housed there. In conclusion, this print offers us a glimpse into Veronese's artistic genius while shedding light on profound topics such as mortality, spirituality, and individuality. It serves as a testament to the enduring power of art across centuries and invites contemplation on life's fleeting nature.

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