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St. Lawrence, detail of the pulpit by Mino da Fiesole, Antonio Rossellino and Pasquino di Matteo, in the Cathedral of Prato
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
St. Lawrence, detail of the pulpit by Mino da Fiesole, Antonio Rossellino and Pasquino di Matteo, in the Cathedral of Prato
St. Lawrence, detail of the pulpit by Mino da Fiesole, Antonio Rossellino and Pasquino di Matteo, in the Cathedral of Prato Prato Cathedral Low Relief, Basrelief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1473 ca. Artist:Mino da Fiesole, Rossellino, Antonio, Di Matteo, Pasquino
Brogi
BGA-F-024688-0000
Media ID 33173520
© Alinari Archives, Florence
Grillearly Renaissance Lawrence Palm Christian Religion Vegetal Element Or Composition
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EDITORS COMMENTS
This photograph captures a mesmerizing detail of the pulpit in the Cathedral of Prato, showcasing the artistic brilliance of Mino da Fiesole, Antonio Rossellino, and Pasquino di Matteo. The intricate low relief bas-relief sculpture depicts St. Lawrence, a prominent figure in Christian religion. The craftsmanship exhibited in this artwork is truly remarkable. Every delicate fold of fabric on St. Lawrence's clothing is meticulously carved, revealing the fashion and clothing style prevalent during the early Renaissance period. The attention to detail extends to every aspect of this composition - from the saint's serene expression to his flowing hair and beard. In St. Lawrence's hands rests a palm branch, symbolizing victory over death and martyrdom. Surrounding him are vegetal elements that add depth and texture to the scene; lush vegetation serves as an allegory for life's abundance even amidst suffering. Dating back to around 1473, this masterpiece showcases both Renaissance and Renaissance-Baroque styles that were prevalent in Europe during its creation. It stands as a testament to the artistic genius of Mino da Fiesole, Rossellino, Antonio Di Matteo, who collaborated seamlessly to bring forth this awe-inspiring piece. Captured sometime between 1920-1930 by Brogi from Alinari studios, this photograph allows us a glimpse into history while preserving an exquisite moment frozen in time. It invites viewers into a world where artistry meets spirituality – where faith intertwines with human creativity. As we admire this print today, we can't help but marvel at how it bridges centuries together – connecting us with artists long gone yet leaving an indelible mark on our collective cultural heritage.
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