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St. Lucy with St. John the Baptist and St. Sebastian, drawing by Timoteo Viti preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet), Rome

St. Lucy with St. John the Baptist and St. Sebastian, drawing by Timoteo Viti preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet), Rome


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St. Lucy with St. John the Baptist and St. Sebastian, drawing by Timoteo Viti preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet), Rome

St. Lucy with St. John the Baptist and St. Sebastian, drawing by Timoteo Viti preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet), Rome Rome Corsini Gallery Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1470-1523. Artist:Viti, Timoteo

Anderson
ADA-F-002777-0000

Media ID 33156407

© Alinari Archives, Florence

Catholicism John The Baptist Prayerhigh Renaissance Sebastian Christian Religion Lucy


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > V > Timoteo Viti

> Baroque paintings

> Europe > Italy > Lazio > Rome

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > High Renaissance art

> Historic > Renaissance art

> Historical artwork


EDITORS COMMENTS
This photograph captures a timeless masterpiece, the drawing of "St. Lucy with St. John the Baptist and St. Sebastian" by Timoteo Viti, preserved in the Gabinetto Nazionale delle Stampe (National Print Cabinet) in Rome's Corsini Gallery. The artwork itself dates back to the High Renaissance period, between 1470 and 1523. In this stunning composition, three prominent figures from Christian history are depicted: St. Lucy, St. John the Baptist, and St. Sebastian. The artist skillfully portrays their individuality through intricate details and delicate lines that bring life to each character. The drawing showcases Viti's mastery of both Renaissance and Renaissance-Baroque styles prevalent during his time in Europe's artistic landscape. It serves as a testament to his ability to seamlessly blend these two periods into one harmonious piece of art. The subjects themselves exude spiritual significance; their presence evokes a sense of devotion and reverence for Catholicism. This religious scene invites viewers to contemplate faith, prayer, and divine intervention. Notably, this particular print was captured around 1890 but remains an enduring representation of Viti's original work from centuries earlier – a testament to its lasting impact on art enthusiasts throughout different eras. As we gaze upon this remarkable image today, we are transported back in time – immersed in the rich cultural heritage that defines European art from the first millennium A. D. , through various stylistic movements such as High Renaissance and Baroque. Anderson's photographic tribute allows us to appreciate not only Viti's technical prowess but also his ability to capture profound human emotions within religious narratives – an eternal reminder of our shared humanity across generations.

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