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Detail of the stuccos, by Giovanni da Udine, in a room of Villa Madama, Rome

Detail of the stuccos, by Giovanni da Udine, in a room of Villa Madama, Rome


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Detail of the stuccos, by Giovanni da Udine, in a room of Villa Madama, Rome

Detail of the stuccos, by Giovanni da Udine, in a room of Villa Madama, Rome Rome Villa Madama Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1518-1525. Artist:Giovanni da Udine, Giovanni di Nanni, known as

Anderson
ADA-F-017709-0000

Media ID 33156692

© Alinari Archives, Florence

Acanthus Animal Skinrenaissance Brier Centaur Drapery Herbaceous Hybrid Figure Instrument Or Document Lyre Music Ribbon Shell Greco Roman Vegetal Element Or Composition


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Baroque paintings

> Europe > Italy > Friuli-Venezia Giulia > Udine

> Europe > Italy > Lazio > Rome

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art

> Historical artwork

> Popular Themes > Human Body


EDITORS COMMENTS
This print captures the intricate details of the stuccos created by Giovanni da Udine in a room of Villa Madama, Rome. The photograph, taken around 1900, showcases the remarkable craftsmanship and artistic genius that went into this Renaissance masterpiece. Giovanni da Udine, also known as Giovanni di Nanni, was a highly skilled artist who excelled in various mediums. In this particular artwork dating back to 1518-1525, he skillfully combines elements from Greco-Roman mythology with Renaissance-Baroque styles and periods. The composition is rich with symbolism and references to classical themes. A male figure playing a lyre takes center stage amidst an array of fascinating elements. The human body intertwines with a centaur-like hybrid figure, representing the fusion between man and nature. Acanthus leaves and other herbaceous plants adorn the scene, emphasizing nature's beauty and vitality. Delicate ribbons flow gracefully alongside shells and drapery, adding an ethereal touch to the overall composition. Every detail is meticulously crafted - from the texture of animal skin to the intricately carved vegetation resembling trees or briars. This harmonious blend of natural forms creates a sense of balance and unity within the artwork. Anderson's photography beautifully captures not only these stunning details but also highlights how time has weathered them over centuries. It serves as a testament to both Giovanni da Udine's artistic prowess and Alinari's dedication to preserving cultural heritage through their prints. This print offers viewers an opportunity to appreciate one small fragment of Villa Madama's grandeur while immersing themselves in Europe's rich history during its first and second millenniums AD.

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