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Western part of the Kingdom of Bohemia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
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Western part of the Kingdom of Bohemia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Western part of the Kingdom of Bohemia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0006
Media ID 33186143
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases a remarkable engraving by G. Zuliani, extracted from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta. Preserved within a private collection in Florence, this artwork depicts the western part of the Kingdom of Bohemia during the Renaissance-Baroque period. The intricate details and precision evident in this engraving highlight its significance as both a historical and cartographic masterpiece. The artist's skillful rendering brings to life the diverse landscapes and topographical features that characterized this region during the eighteenth century. As we delve into this visual representation, we are transported back to an era where maps served not only as instruments for navigation but also as documents conveying knowledge and understanding of different territories. This particular piece offers an allegorical perspective on geography, presenting it as an abstract concept symbolizing communication and connection between nations. The fusion of Renaissance-Baroque styles further enhances our appreciation for this artwork's aesthetic appeal. It serves as a testament to Europe's rich cultural heritage throughout the first and second millenniums A. D. , showcasing how art has always been intertwined with history. Although captured through photography in 2009, it is important to acknowledge that this engraving was originally created by Zuliani himself back in 1780. Its endurance over time speaks volumes about its enduring value and ability to captivate viewers across centuries. Through Alinari's lens, we are granted access to explore not only the physical landscape depicted but also gain insight into broader concepts such as communication, territory, and human interaction – all encapsulated within one magnificent piece of art.
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