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The western part of New France or Canada, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

The western part of New France or Canada, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1778 by Antonio Zatta, Private Collection


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The western part of New France or Canada, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

The western part of New France or Canada, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0058

Media ID 33185867

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork, now part of a private collection in Florence, transports us back to the western part of New France or Canada during the eighteenth century. The intricate details and precision of this Renaissance-Baroque style engraving are truly remarkable. It beautifully captures the essence of Europe's first and second millenniums, offering a glimpse into history through its depiction of territory and geography. As we delve into this image, we are invited to explore not only the physical landscape but also abstract concepts and symbols that were significant during that era. This engraving serves as both an instrument and document for understanding the geographical makeup of New France or Canada at that time. The scene depicted here is rich with allegory, drawing our attention to various means of communication prevalent during the period. It evokes a sense of wonder about how people communicated across vast distances before modern technology came into existence. Through this artwork, Zuliani masterfully combines elements from renaissance baroque styles with his own unique interpretation. The result is a visually stunning representation that encapsulates the spirit and aesthetics of its time. Thanks to Alinari's expert photography skills in capturing this piece, we can appreciate every intricate detail despite it being created over two centuries ago. This photograph was taken in 2009 while preserving an artwork dating back to 1778—an incredible testament to human creativity enduring throughout generations.

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