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Stone carving at Banteay Chhmar, Ankorian-era temple ruins, Banteay Meanchey Province

Stone carving at Banteay Chhmar, Ankorian-era temple ruins, Banteay Meanchey Province


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Stone carving at Banteay Chhmar, Ankorian-era temple ruins, Banteay Meanchey Province

Stone carving at Banteay Chhmar, Ankorian-era temple ruins, Banteay Meanchey Province, Cambodia

Discover Images by AWL is a world-leading brand of premium quality travel images

Media ID 19360769

© Jason Langley / AWL Images

Archaeological Archeological Archeology Artwork Bas Relief Buddha Cambodia Cambodian Carved Carvings Icon Khmer Low Relief Relief Religious Figure Angkorian Banteay Chhmar


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> Arts > Artists > C > Cambodian Cambodian

> Asia > Cambodia > Related Images

> Asia > Related Images

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Stone carvings

> Popular Themes > Religious Images


EDITORS COMMENTS
This print captures the intricate beauty of a stone carving at Banteay Chhmar, an ancient temple ruin located in Banteay Meanchey Province, Cambodia. The image showcases the remarkable craftsmanship and artistry of the Ankorian-era, showcasing a bas relief depicting a religious figure with exquisite detail. The delicate carvings on the stone display the rich cultural heritage and deep-rooted spirituality of Cambodia. This archaeological treasure is a testament to the country's historical significance and serves as a window into its glorious past. The serene presence of Buddha emanates from this artwork, symbolizing peace and enlightenment. The low relief technique used in creating this masterpiece adds depth and dimension to every intricately carved feature. As we gaze upon this photograph, we are transported back in time to an era when Khmer civilization flourished. The weathered appearance of these ruins only enhances their allure, reminding us that even through centuries-old decay, their magnificence still shines through. This image is not just a mere depiction; it is an invitation to explore the wonders of Southeast Asia's history and culture. It beckons us to appreciate both the artistic brilliance behind each stroke and the spiritual devotion that inspired such creations. Through JLY's lens, we are reminded that art has no boundaries or limitations – it transcends time and connects us all on a profound level.

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