Chinese bonze - Chinese monk with palm leaf hat sitting in front of a pagoda - Handcoloured woodcut by Vermorcken after an illustration by H. Hendrickx from " Mores, Uses et Costumes de tous les Peuples du Monde, Asie, " by Auguste Wahlen

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Chinese bonze - Chinese monk with palm leaf hat sitting in front of a pagoda - Handcoloured woodcut by Vermorcken after an illustration by H. Hendrickx from " Mores, Uses et Costumes de tous les Peuples du Monde, Asie, " by Auguste Wahlen

FLO4723298 Chinese bonze - Chinese monk with palm leaf hat sitting in front of a pagoda - Handcoloured woodcut by Vermorcken after an illustration by H. Hendrickx from " Mores, Uses et Costumes de tous les Peuples du Monde, Asie, " by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845; (add.info.: Chinese bonze - Chinese monk with palm leaf hat sitting in front of a pagoda - Handcoloured woodcut by Vermorcken after an illustration by H. Hendrickx from " Mores, Uses et Costumes de tous les Peuples du Monde, Asie, " by Auguste Wahlen, pseudonym of Jean Francois Nicolas Loumyer (1801-1875), Librairie Historique Artistique, Brussels, 1845); © Florilegius

Media ID 38441668

© © Florilegius / Bridgeman Images

Arbre Bottom Bouddha Bouddhisme Bouddhiste Buddha Buddhism Buddhist Chapeau Chine Clerge Coutume Edifice Feuille Darbre Instrument De Musique Manteau Ordre Religieux Palmier Plante Divers Pretre Rituel Spectateur Spectator Tradition Traditionnelle Traditionnel Tree Sheet Vetement Asian Asian Asie Homme

EDITORS COMMENTS
This stunning handcoloured woodcut print captures the essence of a Chinese bonze, or monk, sitting serenely in front of a pagoda. The intricate details and vibrant colors bring this scene to life, showcasing the traditional attire and peaceful demeanor of the monk. His palm leaf hat adds a touch of authenticity to the image, highlighting his connection to nature and simplicity. The artist Vermorcken skillfully recreates this illustration by H. Hendrickx from "Mores, Uses et Costumes de tous les Peuples du Monde, Asie," providing viewers with a glimpse into the cultural practices and customs of ancient China. The attention to detail in this woodcut is truly remarkable, capturing every fold in the monk's robe and every delicate feature on his face. As we gaze upon this print, we are transported back in time to 1845 Brussels where Auguste Wahlen first published this work under his pseudonym Jean Francois Nicolas Loumyer. The historical significance of this piece is undeniable, offering us a window into a world long gone but not forgotten. Overall, this Chinese bonze print is a testament to the beauty and complexity of Asian culture, inviting us to appreciate its rich history and traditions through artistry and craftsmanship.

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