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Water tower of the Acqua Julia, 1833 (etching with brown wash)
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Water tower of the Acqua Julia, 1833 (etching with brown wash)
STC384963 Water tower of the Acqua Julia, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Chateau de l eau Giulia. Trophee de Trajan.; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; ); The Stapleton Collection; Italian, out of copyright
Media ID 23547688
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
This print captures the majestic Water Tower of the Acqua Julia, dating back to 1833. The etching with brown wash technique used by artist Agostino Tofanelli brings out the intricate details and architectural beauty of this ancient structure. Located at Chateau de l'eau Giulia, also known as Trophee de Trajan, this water tower stands as a testament to Rome's rich history and grandeur. Engraved by Pietro Fontana, this artwork is part of the Recueil des vues au bister dessinees et lavees par Callimachus collection, which showcases memories of antiquities and curiosities in Rome and its surroundings. In this image, we see people admiring the ruins surrounding the water tower. Perhaps they are captivated by its Roman origins or simply appreciating its timeless charm. Among them are goats leisurely grazing nearby, adding a touch of serenity to the scene. The Stapleton Collection proudly presents this Italian masterpiece from their private collection. With no copyright restrictions on it due to its age, art enthusiasts can now enjoy and appreciate every detail of this engraving without any limitations. Step into history with this remarkable piece that encapsulates both antiquity and architecture in one frame. Let your imagination wander through time as you explore the intricacies captured within each stroke of Agostino Tofanelli's brush.
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