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The Wedding dinner, 1812
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The Wedding dinner, 1812
1574943 The Wedding dinner, 1812; (add.info.: The Wedding dinner, or, Moses and the magistrate. A satire on the attendance of the Lord Mayor at the wedding dinner of Moses Abrahams and Elizabeth, daughter of Michael Myers of Peter's Alley, Cornhill, a wealthy fishmonger, who were married at the Great Synagogue, Duke's Place.); Universal History Archive/UIG
Media ID 38140064
© Universal History Archive/UIG / Bridgeman Images
1810s Cornhill Cornwall Dukes Place Fishmonger Great Synagogue Judaic Lord Mayor Matrimony Political Satire Synagogue Wealthy Jewish Religion Jews
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EDITORS COMMENTS
The Wedding dinner, 1812 captures a moment of political satire and social commentary in early 19th century England. The scene depicts the wedding dinner of Moses Abrahams and Elizabeth, daughter of wealthy fishmonger Michael Myers, at the Great Synagogue in Duke's Place. The presence of the Lord Mayor at this event is highlighted as a point of ridicule, symbolizing the intersection of power and privilege.
This print serves as a reminder of the complexities and tensions within society during this time period. The juxtaposition of religious ceremony with political figures reflects the blurred lines between church and state, tradition and modernity. Through clever visual storytelling, the artist conveys a message about class distinctions, cultural identity, and societal norms.
The intricate details in this artwork invite viewers to delve deeper into its layers of meaning. From the elaborate costumes to the expressions on each character's face, every element contributes to the overall narrative being presented. As we gaze upon this historical snapshot frozen in time, we are reminded that art has always been a powerful tool for reflection and introspection.
In today's world where issues of race, religion, and politics continue to intersect, The Wedding dinner remains relevant as a timeless piece that challenges us to question our own beliefs and biases.
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