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Graffiti of German prisoners inside the Belfry of Issoudun (2nd floor). Realised between November 1917 and September 1918. Lead mine on plaster. Mandatory mention

Graffiti of German prisoners inside the Belfry of Issoudun (2nd floor). Realised between November 1917 and September 1918. Lead mine on plaster. Mandatory mention


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Graffiti of German prisoners inside the Belfry of Issoudun (2nd floor). Realised between November 1917 and September 1918. Lead mine on plaster. Mandatory mention

JEB4906050 Graffiti of German prisoners inside the Belfry of Issoudun (2nd floor). Realised between November 1917 and September 1918. Lead mine on plaster. Mandatory mention:; (add.info.: Graffiti of German prisoners inside the Belfry of Issoudun (2nd floor). Realised between November 1917 and September 1918. Lead mine on plaster. Mandatory mention:); © Jean Bernard. All rights reserved 2023

Media ID 38423806

© © Jean Bernard. All rights reserved 2024 / Bridgeman Images

Center First War 1914 1918 Graffiti Jail Ww I Iere Jeanbernard


FEATURES IN THESE COLLECTIONS

> Europe > France > Heritage Sites > Belfries of Belgium and France

> Europe > France > Military

> Fine Art Finder > Artists > Albert Sébille

> Historic > World War I and II > World War I

> Historic > World War I and II


EDITORS COMMENTS
This print captures the haunting graffiti left behind by German prisoners inside the Belfry of Issoudun during World War I. The intricate designs, realized between November 1917 and September 1918, were etched into plaster using lead mine, showcasing the creativity and resilience of those held captive. The detailed artwork provides a glimpse into the lives of these prisoners during a tumultuous time in history. Each stroke tells a story of hardship, longing, and perhaps even hope for a better future. The vibrant colors bring to life the emotions felt by those who created these masterpieces under such difficult circumstances. As we reflect on this piece of history, it serves as a reminder of the human spirit's ability to endure even in the darkest times. The graffiti stands as a testament to the power of art to transcend boundaries and communicate across languages and cultures. Through this photograph by © Jean Bernard, we are transported back in time to witness firsthand the impact of war on individuals caught in its midst. It is an important reminder of our shared humanity and the importance of preserving such artifacts for future generations to learn from and remember.

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