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Before the Wedding, 1874 (oil on canvas)
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Before the Wedding, 1874 (oil on canvas)
SRM93036 Before the Wedding, 1874 (oil on canvas) by Zhuravlev, Firs Sergeevich (1836-1901); 105x143 cm; State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright
Media ID 22606118
© State Russian Museum / Bridgeman Images
Arranged Bride Collapse Despair Icon Sacrement Weeping Monks
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Before the Wedding, 1874
EDITORS COMMENTS
is a captivating oil painting by Zhuravlev, Firs Sergeevich that offers a glimpse into the complexities of Russian society during the late 19th century. This thought-provoking image depicts an intimate interior scene where despair and tension permeate the air. At its center stands a young bride, her face etched with sorrow and resignation. She represents countless women who were subjected to arranged marriages against their will, highlighting the oppressive societal norms of that era. The presence of priests and religious icons in the room suggests that this union is bound by tradition rather than love. The painting's composition further emphasizes these themes as we witness a collapse unfolding before our eyes. A priest leans forward, his hands clasped in prayer or perhaps offering solace amidst this somber occasion. Meanwhile, a monk gazes upon the scene with empathy and understanding. Through skillful brushwork and masterful use of light and shadow, Zhuravlev captures not only the physical surroundings but also conveys profound emotional turmoil within each character present. It serves as a poignant reminder of how religion played an influential role in shaping societal expectations around marriage during this period. "Before the Wedding, 1874" invites viewers to reflect on issues such as forced marriages, familial pressures, and personal agency within historical contexts. As we contemplate this powerful artwork from State Russian Museum in St. Petersburg today, it reminds us to appreciate how far we have come while acknowledging ongoing struggles for individual
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