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The Political Siamese Twins, The Offspring of Chicago Miscegenation, 1864 (litho)
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The Political Siamese Twins, The Offspring of Chicago Miscegenation, 1864 (litho)
1078651 The Political Siamese Twins, The Offspring of Chicago Miscegenation, 1864 (litho) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Collection of the New-York Historical Society, USA; eNew York Historical Society; American, out of copyright
Media ID 23084456
© New York Historical Society / Bridgeman Images
Chicago Civil War Conjoined Mcclellan Offspring Seymour Siamese Twins Statesmen Twins Union Unionists Pendleton
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EDITORS COMMENTS
This print titled "The Political Siamese Twins, The Offspring of Chicago Miscegenation, 1864" takes us back to a significant moment in American history. Created by Currier and Ives, renowned lithographers of the 19th century, this artwork captures the essence of political satire during the Civil War era. Depicting two conjoined figures representing prominent Union statesmen, this satirical cartoon offers a humorous commentary on the state of politics at that time. With intricate details and clever caricatures, it showcases the absurdity and complexity of American politics during this tumultuous period. The image portrays these siamese twins as soldiers with exaggerated features symbolizing their respective roles in shaping national affairs. It highlights key personalities such as Pendleton, Seymour, McClellan - all influential figures who played crucial roles in shaping America's destiny. Through its sharp wit and biting humor, this engraving sheds light on issues like miscegenation (the mixing of races) which were hotly debated during that time. By blending political commentary with artistic skill, Currier and Ives created an enduring piece that continues to captivate viewers today. As we gaze upon this remarkable print from Bridgeman Images' collection at New-York Historical Society in USA; we are transported back to a pivotal moment when America was grappling with profound social changes amidst a brutal civil war.
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