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A noble man of Sri Lanka, King Rajasinha II of Kandy, and a Tirinanxy or Chief Priest. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Robert Knox from Giulio Ferrario's Ancient
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A noble man of Sri Lanka, King Rajasinha II of Kandy, and a Tirinanxy or Chief Priest. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Robert Knox from Giulio Ferrario's Ancient
FLO4624005 A noble man of Sri Lanka, King Rajasinha II of Kandy, and a Tirinanxy or Chief Priest. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Robert Knox from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.; (add.info.: A noble man of Sri Lanka, King Rajasinha II of Kandy, and a Tirinanxy or Chief Priest. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Robert Knox from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.); © Florilegius
Media ID 38154806
© © Florilegius / Bridgeman Images
Andrea Bernieri Asie Ceylon Giulio Ferrario Kandy Singhalese Sri Lanka Sri Lankan
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EDITORS COMMENTS
This stunning handcoloured copperplate print captures the regal presence of King Rajasinha II of Kandy, Sri Lanka, alongside a Tirinanxy or Chief Priest. The intricate details in their traditional attire showcase the rich cultural heritage of Sri Lanka during the 19th century.
The noble demeanor of King Rajasinha II is evident in his posture and expression, exuding power and authority. His elaborate costume reflects his royal status and showcases the craftsmanship of Sri Lankan artisans at that time.
Standing beside him is the Tirinanxy or Chief Priest, who radiates wisdom and spirituality. His attire symbolizes his important role in religious ceremonies and rituals within the community.
Created by artist Andrea Bernieri after Robert Knox for Giulio Ferrario's Ancient and Modern Costumes series, this print offers a glimpse into a bygone era when Sri Lanka was known as Ceylon. The attention to detail in this engraving brings to life the beauty and complexity of traditional clothing worn by nobility and religious figures in Kandy.
Overall, this image serves as a reminder of the historical significance of King Rajasinha II and the cultural traditions that have shaped Sri Lankan society for centuries.
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