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Marlay Cutting IT. 34: The Deposition from the Cross and border fragments from a missal of Pope Clement VII, after 1523 (parchment)

Marlay Cutting IT. 34: The Deposition from the Cross and border fragments from a missal of Pope Clement VII, after 1523 (parchment)


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Marlay Cutting IT. 34: The Deposition from the Cross and border fragments from a missal of Pope Clement VII, after 1523 (parchment)

FIT276983 Marlay Cutting IT.34: The Deposition from the Cross and border fragments from a missal of Pope Clement VII, after 1523 (parchment) by Raymond, Vincent (fl. c.1515-57); 31.2x25.1 cm; Fitzwilliam Museum, University of Cambridge, UK; © Fitzwilliam Museum

Media ID 25458736

© Fitzwilliam Museum / Bridgeman Images

Corpse Crown Of Thorns Crucified Crucifix Crucifixion Historiated Ladder Margin Medici Mourners Passion Skull Architectural Frame Mourning Taking Down


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EDITORS COMMENTS
This print showcases the Marlay Cutting IT. 34, a stunning piece of art that depicts "The Deposition from the Cross" along with border fragments from a missal of Pope Clement VII. Created by Vincent Raymond in the early 16th century, this masterpiece is made on parchment and measures 31.2x25.1 cm. The image captures a moment of profound mourning and sorrow as Jesus' lifeless body is being taken down from the cross. The architectural frame surrounding the scene adds to its grandeur, while intricate decorations and ornamental details adorn every corner, reflecting the artistic brilliance of the Renaissance period. Intriguingly, amidst this somber atmosphere, we see various saints and mourners grieving over Christ's death. The presence of Mary, known as Madonna in this context, adds an emotional depth to the composition as she cradles her son's lifeless body in her arms. Noteworthy elements such as a crown of thorns resting near Jesus' head and a skull at his feet symbolize his suffering and mortality. Additionally, an intricately decorated ladder leans against the cross—a poignant reminder of how he was crucified. This print not only captures Raymond's exquisite attention to detail but also serves as a testament to religious devotion during that era. Displayed at Fitzwilliam Museum in Cambridge University, UK; it stands as a remarkable example of historical significance preserved for generations to come.

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