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Tale of the Courtesan Shiratama by Utagawa Toyokuni, 1861 (woodblock print)

Tale of the Courtesan Shiratama by Utagawa Toyokuni, 1861 (woodblock print)


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Tale of the Courtesan Shiratama by Utagawa Toyokuni, 1861 (woodblock print)

3036425 Tale of the Courtesan Shiratama by Utagawa Toyokuni, 1861 (woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); (add.info.: Tale of the Courtesan Shiratama by Utagawa Kunisada (Japanese, 1786-1864); ukiyo-e woodblock print, 1861. Title in Japanese is A Siratama no hanashiA (The Courtesan Siratama) from the series A A Meigi sanju rokkasenA (Famous 36 Courtesans).); Photo eGraphicaArtis; Japanese, out of copyright

Media ID 23260848

© GraphicaArtis / Bridgeman Images

Calligraphy Courtesan Edo Period Geisha Screen Ukiyo E Utagawa Toyokuni Woodblock Print Toyokuni I


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EDITORS COMMENTS
This woodblock print, titled "Tale of the Courtesan Shiratama" transports us back to the vibrant world of Edo period Japan. Created by Utagawa Toyokuni III in 1861, this exquisite piece showcases the masterful artistry and attention to detail that defined ukiyo-e prints. The print depicts two women, one holding a pipe while the other delicately arranges her hair with beautiful hair sticks. They are surrounded by a screen adorned with intricate calligraphy, adding an air of sophistication to their surroundings. The courtesan Shiratama takes center stage, exuding elegance and grace as she captivates viewers with her alluring presence. Part of the renowned series "Famous 36 Courtesans" this artwork offers a glimpse into the fascinating lives led by these highly sought-after women during that era. With its rich colors and meticulous craftsmanship, it is no wonder why this print has stood the test of time. As we gaze upon this mesmerizing scene, we are transported to a world where beauty and tradition intertwine seamlessly. It serves as a reminder of Japan's rich cultural heritage and its enduring fascination with geishas and courtesans. Thanks to Bridgeman Images' preservation efforts, we can now appreciate this remarkable piece from Utagawa Toyokuni III in all its glory.

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