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Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)
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Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)
6448694 Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 223x183 cm; (add.info.: Destroyed in 1945, it was housed at the former Kaiser Friedrich Museum.); Bildarchiv Foto Marburg
Media ID 24135280
© Bildarchiv Foto Marburg / Bridgeman Images
2 People 2 Persons Apostles Aspostles Baroq Baroque Era Baroque Period Baroque Style Caravaggio 1571 1610 Caravaggio Michelangelo Merisi Da Evangelist Evangelists Holy Art Icon Matthew The Apostle Matthew The Evangelist Muralist Oil On Cnvas Oil Painting On Wood Oil Paintings Oil Paints Painte Read Religious Image Religous Icon S Mathewe S Mathias S Mathyas S Matthew Sacred Icon Sacred Picture Saint Matthew Saint Matthieu Sat Down Seraph Seraphs St Matthew St Matthew The Apostle The Evangelist The Reader Two Persons Wing Winged Wingspan Apostle
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EDITORS COMMENTS
This print showcases the lost masterpiece "Saint Matthew and the Angel" by Caravaggio, a renowned Italian artist of the Baroque period. Painted in 1602 with oil on canvas, this artwork measured an impressive 223x183 cm. Tragically, it was destroyed during World War II in 1945 when it was housed at the former Kaiser Friedrich Museum. The image depicts Saint Matthew, one of the twelve apostles of Jesus Christ, accompanied by a celestial angel. The angel's magnificent wingspan adds a sense of ethereal beauty to the composition. Caravaggio's signature style is evident in his masterful use of light and shadow to create depth and drama. Though we can no longer behold this religious icon firsthand, this print allows us to appreciate its historical significance and artistic brilliance. It serves as a reminder of Caravaggio's immense talent and contribution to art history. The scene portrays Saint Matthew engrossed in reading from a book while surrounded by several animals representing wildlife. This symbolism emphasizes his connection with nature and God's creation. As admirers gaze upon this print, they are transported back to early 17th century Italy where Caravaggio revolutionized art through his innovative techniques and profound religious imagery. Despite its destruction, "Saint Matthew and the Angel" continues to inspire awe and reverence for both its creator and subject matter.
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