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Dispute on the Immaculate Conception, 1528 circa, Giovanni Antonio de Sacchis known as il Pordenone (oil on panel)
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Dispute on the Immaculate Conception, 1528 circa, Giovanni Antonio de Sacchis known as il Pordenone (oil on panel)
7064168 Dispute on the Immaculate Conception, 1528 circa, Giovanni Antonio de Sacchis known as il Pordenone (oil on panel) by Pordenone, Giovanni Antonio (1484-1539); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Dispute on the Immaculate Conception, 1528 circa, Giovanni Antonio de Sacchis known as il Pordenone, oil on panel, national museum of Capodimonte, Naples, Italy); Photo © Stefano Baldini
Media ID 31935177
© Stefano Baldini / Bridgeman Images
Adversary Altercation Argument Blessed Virgin Mary Campania Clergymen Gestation Holy Art Holy Image Holy Virgin Holy Virgin Mary Icon Mater Dei Metropolitan City Of Naples Miracle Miracles Miraculous Naples Opponent Pregnancy Quarrel Religious Illustration Religious Image Religious Imagery Religous Icon Rival Rivalry Sacred Icon Sacred Picture St Mary The Virgin Virgin Mry Virgo Immaculata Biblical Charcter Biblical Figure Blessed Virgin Religious Role
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EDITORS COMMENTS
This print captures the essence of a heated dispute on the Immaculate Conception, depicted in an oil painting by Giovanni Antonio de Sacchis, also known as il Pordenone. Created around 1528, this masterpiece is housed in the Museo di Capodimonte in Naples, Italy. The artwork portrays a vibrant scene filled with religious fervor and intense emotions. A group of priests and clergy members engage in a colorful argument within the confines of a temple. The vivid colors and intricate details bring to life their passionate rivalry over matters of faith. At the center of this theological debate stands an image of the Virgin Mary, symbolizing her miraculous pregnancy without sin. This religious icon holds great significance for Christians worldwide and serves as a focal point for this contentious discussion. The painting's composition reflects both the artistic brilliance of Pordenone and his deep understanding of Christian theology. Through his brushstrokes, he conveys not only the clash between opposing viewpoints but also explores themes such as devotion, belief, and spirituality. As we gaze upon this remarkable piece captured by Stefano Baldini's lens, we are transported back to 16th-century Italy—a time when art played a vital role in expressing religious ideals. This photograph invites us to contemplate our own beliefs while marveling at the enduring power that sacred imagery continues to hold throughout history.
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