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At the colonial exhibition in Marseille: the Angkor Vat temple of the palace of Indochina
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At the colonial exhibition in Marseille: the Angkor Vat temple of the palace of Indochina
XEE4186987 At the colonial exhibition in Marseille: the Angkor Vat temple of the palace of Indochina represents the architecture of Cambodia. Engraving in " Le Petite Journal illustrious", on 16/04/1922. Private collection. by Anonymous; Private Collection; (add.info.: At the colonial exhibition in Marseille: the Angkor Vat temple of the palace of Indochina represents the architecture of Cambodia. Engraving in " Le Petite Journal illustrious", on 16/04/1922. Private collection.); Stefano Bianchetti; out of copyright
Media ID 23335068
© Stefano Bianchetti / Bridgeman Images
Cambodia Cambodian Exposure Indochina A Journal Asian Asian
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EDITORS COMMENTS
This print takes us back to the colonial exhibition in Marseille, where the Angkor Vat temple of the palace of Indochina stood as a magnificent representation of Cambodian architecture. The engraving, featured in "Le Petite Journal illustrious" on April 16th, 1922, now resides in a private collection. The image transports us to an era when France's influence extended across Indochina. It serves as a reminder of the complex dynamics between colonizer and colonized during this period of history. The grandeur and intricacy of the Angkor Vat temple symbolize both Cambodia's rich cultural heritage and its subjugation under foreign rule. The anonymous artist behind this engraving skillfully captures every detail, showcasing their talent for replicating architectural marvels through their craft. Through delicate lines and precise strokes, they bring forth the essence of this iconic structure. As we gaze upon this print today, it evokes contemplation about our shared past and prompts reflection on how historical events have shaped our present reality. It is a testament to the power that art holds in preserving memories and shedding light on different aspects of human experience. Stefano Bianchetti has graciously made this piece available from his private collection for all to appreciate. Its presence reminds us not only of Cambodia's architectural wonders but also invites dialogue about colonialism's lasting impact on nations around the world.
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