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The seven deadly sin: envy. Epinal imaging late 19th century

The seven deadly sin: envy. Epinal imaging late 19th century


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The seven deadly sin: envy. Epinal imaging late 19th century

XEE4179350 The seven deadly sin: envy. Epinal imaging late 19th century. (I sette peccati o vizi capitali) by French School, (19th century); Private Collection; (add.info.: The Seven Capital Sins: Envy, Imaging of Epinal at the end of the 19th century. (I sette peccati o vizi capitali)); Stefano Bianchetti; French, out of copyright

Media ID 22746462

© Stefano Bianchetti / Bridgeman Images

Bicycle Capital Sins Lust 19th Mode


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EDITORS COMMENTS
This print captures the essence of envy, one of the seven deadly sins, in a stunning late 19th-century Epinal imaging. The French School artist beautifully portrays this vice through an allegorical representation of a girl dressed in an intricate costume. The image showcases the transport vehicle of choice during that era - a bicycle, symbolizing progress and movement. The juxtaposition of the traditional mode of transportation with the modern bicycle highlights society's changing values and desires. The vibrant colors used in this engraving add depth and intensity to the artwork, emphasizing the destructive nature of envy. The woman's expression exudes longing and discontentment as she gazes at something or someone beyond our view, consumed by jealousy. This piece is part of a private collection and reflects Stefano Bianchetti's talent for capturing complex emotions through his artistry. As we admire this work, it serves as a reminder to reflect on our own lives and consider how envy can poison relationships and hinder personal growth. With its historical significance and artistic brilliance, this photograph print invites us to explore not only the themes depicted but also appreciate Bianchetti's skillful execution. It stands as a testament to human nature's eternal struggle with envy while serving as an enduring piece that transcends time itself.

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