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The canon. Death holds his hourglass before him when he enters the cathedral. They are followed by a nobleman with a falcon on his fist, his jester or crazy, and a little boy
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The canon. Death holds his hourglass before him when he enters the cathedral. They are followed by a nobleman with a falcon on his fist, his jester or crazy, and a little boy
FLO4675891 The canon. Death holds his hourglass before him when he enters the cathedral. They are followed by a nobleman with a falcon on his fist, his jester or crazy, and a little boy. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in "The Triumph of Death" based on original drawings by Hans Holbein the Young (1497-1543), 1860.; (add.info.: The canon. Death holds his hourglass before him when he enters the cathedral. They are followed by a nobleman with a falcon on his fist, his jester or crazy, and a little boy. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in "The Triumph of Death" based on original drawings by Hans Holbein the Young (1497-1543), 1860.); © Florilegius
Media ID 38251682
© © Florilegius / Bridgeman Images
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EDITORS COMMENTS
This print captures a moment of eerie beauty as Death, personified with his hourglass in hand, enters the cathedral. Following closely behind him are a nobleman with a majestic falcon perched on his fist, accompanied by his jester or fool and a young boy. The scene is both haunting and intriguing, drawing the viewer into the mysterious narrative unfolding before their eyes.
Created by Christian Von Mechel in 1860 based on original drawings by the renowned artist Hans Holbein the Younger, this hand-colored engraving titled "The Canon" is part of "The Triumph of Death" series. The intricate details and symbolism within the artwork invite contemplation on themes of mortality, nobility, and innocence.
As Death makes his solemn entrance into the sacred space of the cathedral, surrounded by figures representing different facets of society, we are reminded of our own mortality and the transient nature of life. The juxtaposition of death with symbols of power and frivolity adds depth to this thought-provoking composition.
Through this historical artwork, we are transported to a time when art served not only as decoration but also as a reflection on existential questions that have puzzled humanity for centuries. It is a reminder that even in moments of darkness and uncertainty, there is beauty to be found in art that transcends time and speaks to universal truths.
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