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Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral
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Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral
FLO4678577 Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.; (add.info.: Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.); © Florilegius
Media ID 38326152
© © Florilegius / Bridgeman Images
1534 Ancient Armour Arme Armure Barding Bataille Bridle Cavalerie Cavalry Division Cavalry Man Cavalry Regiment Cavalryman Cavalrymen Chainmail Chanfron Chest Cheval Chivalry Critical Inquiry Into Antient Armour Gorget Infantry Order Of St Sir Samuel Rush Meyrick Suit Of Armour Chamfron German Knight
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EDITORS COMMENTS
This stunning print captures the intricate craftsmanship of two suits of black armor made for a German knight of the Order of St. George of Ravenna in 1534. The suits are edged in gilt, adding a touch of luxury to their formidable appearance. The helmet features a gorget of chainmail, providing additional protection for the warrior's neck.
The attention to detail is evident in every aspect of these suits, from the horse's barding to its chamfron, bridle, manefaire, and poitral. Each piece is expertly crafted and designed to both protect and impress onlookers.
The hand-colored lithograph by Maddocks beautifully brings out the richness and complexity of these historical artifacts. It is clear that these suits were not only functional but also symbols of status and power for their wearer.
Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour provides valuable insight into the history and significance of such pieces. This image serves as a reminder of the skill and artistry that went into creating armor for knights centuries ago.
Overall, this print is a testament to the enduring legacy of medieval craftsmanship and warfare. It offers viewers a glimpse into a time when chivalry reigned supreme on the battlefield.
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