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Sunset bells or black flamingo, Chrysothemis pulchella (Besleria pulchella). Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges Botanical Cabinet, Hackney, 1825
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Sunset bells or black flamingo, Chrysothemis pulchella (Besleria pulchella). Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges Botanical Cabinet, Hackney, 1825
FLO4664643 Sunset bells or black flamingo, Chrysothemis pulchella (Besleria pulchella). Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges Botanical Cabinet, Hackney, 1825.; (add.info.: Sunset bells or black flamingo, Chrysothemis pulchella (Besleria pulchella). Handcoloured copperplate engraving by George Cooke after Thomas Shotter Boys from Conrad Loddiges Botanical Cabinet, Hackney, 1825.); © Florilegius
Media ID 38476448
© © Florilegius / Bridgeman Images
Botanical Cabinet Conrad Loddiges George Cooke George Loddiges Nursery Thomas Shotter Boys
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EDITORS COMMENTS
This stunning handcoloured copperplate engraving captures the delicate beauty of the Sunset bells or black flamingo, Chrysothemis pulchella (Besleria pulchella). The intricate details and vibrant colors bring this botanical illustration to life, showcasing the talent of artists George Cooke and Thomas Shotter Boys.
Originally featured in Conrad Loddiges' Botanical Cabinet in 1825, this print has stood the test of time as a timeless piece of natural history art. The graceful curves and elegant form of the Chrysothemis pulchella are expertly captured in this engraving, making it a true masterpiece.
The rich history behind this artwork adds to its allure, with connections to renowned nurseries and botanical collections. It serves as a reminder of the importance of preserving our natural world and appreciating the beauty that surrounds us.
Whether displayed in a gallery setting or adorning your own walls at home, this print is sure to captivate all who gaze upon it. Let yourself be transported to a bygone era when botanical illustrations were not just scientific documents but works of art in their own right.
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