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Woman Standing in a Bathtub, c. 1890-92 (charcoal with stumping on beige wove paper)

Woman Standing in a Bathtub, c. 1890-92 (charcoal with stumping on beige wove paper)


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Woman Standing in a Bathtub, c. 1890-92 (charcoal with stumping on beige wove paper)

877041 Woman Standing in a Bathtub, c.1890-92 (charcoal with stumping on beige wove paper) by Degas, Edgar (1834-1917); 43.2x29.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French, out of copyright

Media ID 22737524

© Bridgeman Images

Bath Bathing Baths Bathtub Studies Tubs Wash Washing Bathtubs


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> Arts > Realistic drawings > Charcoal sketches > Fine art

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> North America > United States of America > Massachusetts > Related Images


EDITORS COMMENTS
This black and white charcoal print, titled "Woman Standing in a Bathtub" offers a glimpse into the intimate world of 19th-century bathing rituals. Created by renowned French artist Edgar Degas between 1890 and 1892, this study showcases his mastery of capturing the human form with delicate precision. In this particular piece, Degas focuses on a solitary female figure standing gracefully within a bathtub. The artist's use of stumping technique adds depth and texture to the image, enhancing the play of light and shadow across her body. The beige wove paper serves as an elegant backdrop for this timeless scene. Degas' fascination with depicting women in various states of undress is evident here, as he explores themes of femininity and vulnerability. Through his meticulous strokes, he invites viewers to contemplate not only the physical act of bathing but also the emotional state that accompanies it. Housed at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, this artwork continues to captivate audiences with its beauty and artistic prowess. As we gaze upon this stunning portrayal from over a century ago, we are reminded of both our shared humanity and our ever-evolving relationship with self-care rituals. This print from Bridgeman Images allows us to bring home a piece of art history while appreciating Degas' skillful rendering of the female form in all its gracefulness.

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