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Cover of "The Men of the Day", Satirical in N & B, ca
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Cover of "The Men of the Day", Satirical in N & B, ca
ICA4932003 Cover of " The Men of the Day", Satirical in N & B, ca. 1908: Anarchist Anarchism, Workers Movement - Faure Sebastien (1858-1942) - Illustration by Aristide Delannoy (1874-1911) by Delannoy, Aristide (1874-1911); (add.info.: Cover of " The Men of the Day", Satirical in N & B, ca. 1908: Anarchist Anarchism, Workers Movement - Faure Sebastien (1858-1942) - Illustration by Aristide Delannoy (1874-1911)); Photo eCaricadoc; French, out of copyright
Media ID 22835088
© Caricadoc / Bridgeman Images
Anarchism A Journal Caricadoc Journalism Newspapers
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EDITORS COMMENTS
The print titled "Cover of 'The Men of the Day', Satirical in N & B, ca. 1908" captures a fascinating snapshot of political satire and social commentary from early 20th-century France. The artwork, created by Aristide Delannoy and featuring Sebastien Faure, offers a glimpse into the world of anarchism and the workers' movement during this time. Delannoy's illustration skillfully combines elements of caricature and portraiture to depict Faure as an anarchist figurehead. The black and white composition adds a sense of gravitas to the image, emphasizing its historical significance. This piece serves as both an artistic expression and a journalistic document. It was likely featured on the cover of a satirical journal called "The Men of the Day" which aimed to critique societal norms through humor and wit. Through this medium, Delannoy highlights not only Faure's role within anarchism but also his impact on French society at large. As we examine this print today, it offers us an opportunity to reflect on the complex history surrounding political ideologies such as anarchism in early 20th-century Europe. It reminds us that art has always played a vital role in shaping public opinion and challenging established power structures. Overall, this image invites viewers to delve deeper into the rich tapestry of French politics during this era while appreciating Delannoy's artistic prowess in capturing both likeness and symbolism with precision.
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