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Cover of " The Laughter", Satirical in Colours, 1898_11_26: Tournee William II 15 days in Turkey, Palestine, Jerusalem and the Holy Places - Germany Prussia, Turkey, Canons, shells, Palestine
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Cover of " The Laughter", Satirical in Colours, 1898_11_26: Tournee William II 15 days in Turkey, Palestine, Jerusalem and the Holy Places - Germany Prussia, Turkey, Canons, shells, Palestine
ICA4839149 Cover of " The Laughter", Satirical in Colours, 1898_11_26: Tournee William II 15 days in Turkey, Palestine, Jerusalem and the Holy Places - Germany Prussia, Turkey, Canons, shells, Palestine, Jerusalem - William II Illustration by Jean Veber (1868-1928); (add.info.: Cover of " The Laughter", Satirical in Colours, 1898_11_26: Tournee William II 15 days in Turkey, Palestine, Jerusalem and the Holy Places - Germany Prussia, Turkey, Canons, shells, Palestine, Jerusalem - William II Illustration by Jean Veber (1868-1928)); Photo © Caricadoc
Media ID 38344522
© © Caricadoc / Bridgeman Images
Benediction Blessing East Prussia Gesture International Relations Israel Israeli Jerusalem Loneliness Lonely Palestine Palestinian Prussia Prussian Prussians Turkish Culture A Journal Aureole Caricadoc Central Turkey Prussia Prussian Turk
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EDITORS COMMENTS
This print captures the satirical cover of "The Laughter" from 1898, depicting William II's 15-day tour in Turkey, Palestine, Jerusalem, and the Holy Places. Illustrated by Jean Veber, this colorful and detailed artwork showcases a blend of humor and political commentary.
The image features Germany's Prussian leader surrounded by canons, shells, and symbols of power as he embarks on his journey through the Middle East. The intricate engraving highlights the complexities of international relations during this period.
Veber's caricature of William II is both comical and thought-provoking, showcasing the loneliness and isolation that often accompanies leadership. The inclusion of Turkish culture, Palestinian religion, and Israeli symbolism adds depth to the narrative portrayed in this piece.
As viewers gaze upon this historical artwork, they are transported back to a time when Europe was undergoing significant changes and tensions were high. The artist's use of color and gesture brings life to each character depicted on the cover of "The Laughter," inviting us to reflect on power dynamics and diplomacy in a rapidly changing world.
Overall, this print serves as a reminder of the importance of satire in art as a means to critique authority while also entertaining audiences with its clever wit.
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