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Regency gamblers playing English Hazard in the gambling hell, Fishmongers Hall. A gambler claims the dice are weighted. The Interior of Modern Hell, empty the Cogged Dice
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Regency gamblers playing English Hazard in the gambling hell, Fishmongers Hall. A gambler claims the dice are weighted. The Interior of Modern Hell, empty the Cogged Dice
FLO4618964 Regency gamblers playing English Hazard in the gambling hell, Fishmongers Hall. A gambler claims the dice are weighted. The Interior of Modern Hell, empty the Cogged Dice. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.; (add.info.: Regency gamblers playing English Hazard in the gambling hell, Fishmongers Hall. A gambler claims the dice are weighted. The Interior of Modern Hell, empty the Cogged Dice. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.); © Florilegius
Media ID 38345910
© © Florilegius / Bridgeman Images
Angleterre Bernard Blackmantle Candlestick Charles Molloy Westmacott Fishmongers Hall Gamblers Gentlemans Club Gentlemen Lumiere Lustre Punch Robert Cruikshank The English Spy Allemagne Crockfords Grande Bretagne Regency
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Step back in time to the Regency era with this print of gamblers playing English Hazard in the infamous gambling hell, Fishmongers Hall. The scene is alive with tension as one gambler boldly claims that the dice are weighted, sparking suspicion and intrigue among the players.
The Interior of Modern Hell is brought to life in vivid detail, from the flickering candlelight casting shadows on the walls to the ornate chandeliers hanging overhead. The atmosphere is thick with smoke and anticipation as fortunes rise and fall on a roll of the dice.
Handcoloured by Robert Cruikshank, this copperplate engraving captures every nuance of this high-stakes game of chance. Written by Bernard Blackmantle (a pseudonym for Charles Molloy Westmacott), this image transports us to a world where gentlemen gather in exclusive clubs to test their luck and skill against each other.
As we peer into this snapshot of history, we are reminded that human nature remains constant across centuries – our desire for excitement, risk, and reward transcends time. This print serves as a window into a bygone era when gambling was not just a pastime but a way of life for those who dared to tempt fate at Fishmongers Hall.
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