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View of the House of the Tragic Poet, Pompeii VI.8.5. Showing the tablinum, impluvium (pool), well, peristyle (garden courtyard) and aedicula lararium (shrine). Chromolithograph and illustration by G
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View of the House of the Tragic Poet, Pompeii VI.8.5. Showing the tablinum, impluvium (pool), well, peristyle (garden courtyard) and aedicula lararium (shrine). Chromolithograph and illustration by G
FLO4688258 View of the House of the Tragic Poet, Pompeii VI.8.5. Showing the tablinum, impluvium (pool), well, peristyle (garden courtyard) and aedicula lararium (shrine). Chromolithograph and illustration by G. Autoriello from Antonio Niccolinios Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.; (add.info.: View of the House of the Tragic Poet, Pompeii VI.8.5. Showing the tablinum, impluvium (pool), well, peristyle (garden courtyard) and aedicula lararium (shrine). Chromolithograph and illustration by G. Autoriello from Antonio Niccolinios Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.); © Florilegius
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© © Florilegius / Bridgeman Images
Antonio Niccolini Autoriello Essays And Restorations Excavation Italie Peristyle Pompei Pompeian Pompeii Pool Roman Civilization Rome Antique Shrine Tablinum Views And Restorations Zucchi And De Luca Antique Rome Impluvium
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EDITORS COMMENTS
This stunning chromolithograph print captures the intricate details of the House of the Tragic Poet in Pompeii, showcasing its tablinum, impluvium (pool), well, peristyle (garden courtyard), and aedicula lararium (shrine). The artist, G. Autoriello, skillfully brings to life the ancient architecture and design of this historic site.
The House of the Tragic Poet is known for its well-preserved frescoes and mosaics that provide a glimpse into daily life in ancient Pompeii. The tablinum served as a reception room where guests were welcomed into the home, while the impluvium was a central feature used to collect rainwater.
The peristyle garden courtyard offered a peaceful retreat from the bustling city streets, with lush greenery and ornate columns creating an inviting atmosphere. The aedicula lararium acted as a shrine dedicated to household gods or spirits, providing spiritual protection for the residents of the house.
Antonio Niccolini's meticulous attention to detail in his restoration work is evident in this illustration from 1898. Through his work, he has preserved not only the physical structure of the House of the Tragic Poet but also its cultural significance as a window into Roman society.
This print serves as both an artistic masterpiece and historical document, allowing viewers to immerse themselves in the beauty and complexity of Pompeii's architectural heritage.
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