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Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, c
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Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, c
487971 Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, c.1493-1501 (oil on panel) by Master of the Legend of Saint Lucy (fl.1475-1505); 99.7x79.3 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Bequest of John R. Van Derlip in memory of Ethel Morrison Van Derlip; Netherlandish, out of copyright
Media ID 22403378
© Minneapolis Institute of Art Bequest of John R. Van Derlip in memory of Ethel Morrison Van Derlip / Bridgeman Images
Belfry Bruges Grief Grieving Lamentation Mourner Mourners Panel Panels Spire Towers Triptych
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EDITORS COMMENTS
This print captures the profound emotions and intricate details of "Lamentation with Saint John the Baptist and Saint Catherine of Alexandria" by Master of the Legend of Saint Lucy. Painted between 1493-1501, this oil on panel masterpiece measures 99.7x79.3 cm and is housed at the Minneapolis Institute of Arts in Minnesota, USA. The composition depicts a scene filled with mourning and grief as mourners surround the lifeless body of Jesus Christ, who lies across Mary's lap. The figures are beautifully rendered, showcasing the artist's mastery in capturing human emotion through their expressions and gestures. In the background, a cityscape with towering belfries adds depth to the painting while also symbolizing spirituality and divine presence. The architectural elements showcase Netherlandish influences prevalent during that period. Saint John the Baptist and Saint Catherine of Alexandria stand beside Mary, adding an additional layer of symbolism to this triptych artwork. Their inclusion represents devotion to faith amidst sorrowful circumstances. The overall atmosphere exudes solemnity, inviting viewers to reflect upon themes such as loss, redemption, and spiritual contemplation. This painting serves as a testament to both religious devotion and artistic skill from Bruges during the 16th century. Thanks to Bridgeman Images' high-quality reproduction techniques, admirers can now appreciate every brushstroke and detail in this remarkable piece without leaving their homes or offices.
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