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The Waste of the Period! or, A Plate of Fashions for the British Folly (colour litho)
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The Waste of the Period! or, A Plate of Fashions for the British Folly (colour litho)
3648275 The Waste of the Period! or, A Plate of Fashions for the British Folly (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: The Waste of the Period! or, A Plate of Fashions for the British Folly. Illustration for The Tomahawk, September 25 1869.); © Look and Learn
Media ID 23146576
© Look and Learn / Bridgeman Images
Absurd Excess Tomahawk Caricatures
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The Waste of the Period! or, A Plate of Fashions for the British Folly
EDITORS COMMENTS
is a vibrant and satirical colour lithograph that captures the essence of 19th-century British society. Created by Matthew "Matt". Somerville in 1869, this artwork offers a scathing critique on the excessive and absurd fashion trends prevalent during that era. The image portrays a group of men and women dressed in outrageously exaggerated costumes, highlighting their obsession with status and appearance. The caricatures depict individuals adorned with extravagant hats, oversized bows, billowing skirts, and flamboyant accessories. It is evident that these fashion choices are meant to symbolize the superficiality and frivolity associated with Victorian society. Somerville's illustration originally appeared in The Tomahawk magazine on September 25th, 1869. Through his satirical drawing, he aimed to expose the political climate of Great Britain at the time. By using humor as a tool for social commentary, he criticizes not only fashion but also politics and societal values. This artwork serves as a reminder of how fashion can often become an expression of excess rather than personal style. It invites viewers to reflect upon their own cultural norms while appreciating Somerville's wit and artistic skill. "The Waste of the Period!" remains relevant even today as it prompts us to question our own tendencies towards materialism and conformity within contemporary society.
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